My next step for Didn’t Feel Safe was to flesh out the structure, using a common pop song structure we studied in Popular Music Theory this semester:
- Intro
- Verse
- Pre-Chorus
- Chorus
- Verse
- Pre-Chorus
- Chorus
- Bridge
- Verse
- Pre-Chorus
- Chorus
- Outtro
I thought a key change would help lift the energy in the Chorus, so I’ve put the Verse in G major. This is my other favourite key because it generally suits my G2-G4 vocal range and is easy to play on guitar, which was the first instrument I learned to play; if you discount my failed attempt to learn piano as a child.
For the bridge, I used a descending minor cycle of 5ths in the parallel key of C natural minor, to represent the uneasiness I often felt in my parent’s house as a child, and my ever-reducing sense of self-esteem growing up there. Using 7th chords gives a jazzy flavour, Jazz being my mother’s favourite style of music, and helps propel the progression forward. The resulting chord progression is:
i7 | iv7 | VII7 | IIIM7 | VIM7 | iiØ7 | v7 | i7 |
Cm7 | Fm7 | Bb7 | EbM7 | AbM7 | DØ7 | Gm7 | Cm7 |
I use descending and ascending diatonic sequences on the synthesiser to effect the key changes between the verse and chorus, and chorus and bridge; rather than using a pivot chord or common tone modulation, because you can get away with anything in pop music.
I’m still working on the vocals for the verses, describing these scenes:
- Typical Saturday morning with tension in the house
- A Sunday with an explosive argument after returning from church
- Having lunch with my mother 40 years later, still afraid of her
The bridge functions to indicate the passage of time between verses 2 and 3.
The drums drop out in the final chorus to provide contrast.
I haven’t finalised or recorded the vocals for the verses yet.
Here’s what the project looks like:
And here’s what it sounds like:
Continue reading about Didn’t Feel Safe in: I Changed My Mind About The Key Changes
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